I used to think we only had one try at a painting, and it either worked or it didn't. A good artist just has fewer failures. If it didn't work, I could cut it up and make postcards or paint over it--you can do that with work on paper. Neither option works with paintings on silk.
I'm on my third "draft" of "A Soul Flies". Maybe I tried to paint it too soon, too soon after my father died. My father was flyer and a sailor. He taught me to sail wing on wing, in perfect balance with the wind. This spring he sailed on without me, right out of this life and into the next.
I tried to paint that--that sailing through the gap between life and death, into the sunset, like all heros in end.
But I was so busy being angry with him, that I forgot to be thankful for what he gave me, what he taught me, and I guess that anger showed up in the painting; the bird in the first painting was mud.
Ira Glass has some encouraging words on work that doesn't come out the way you want it to:
Ira Glass on Storytelling from David Shiyang Liu on Vimeo.
second attempt and first attempt for "A Soul Flies" |
I tried to paint that--that sailing through the gap between life and death, into the sunset, like all heros in end.
But I was so busy being angry with him, that I forgot to be thankful for what he gave me, what he taught me, and I guess that anger showed up in the painting; the bird in the first painting was mud.
Ira Glass has some encouraging words on work that doesn't come out the way you want it to:
Ira Glass on Storytelling from David Shiyang Liu on Vimeo.