I have taken thousands of photos in the last few years. Literally. My computer says I've taken more than 8000! I love them all. Some are family photos, sure. Some record details I think I might use in paintings or illustrations later: the way ferns grow, moss on maple roots, how my grand daughter dances. Sometimes a landscape is just too luscious to pass by: some of these I've begun to use on calendars. Lately I've been attracted to more abstract compositions.
I was looking through my photos for these abstract compositions to use in my silk art, when I came across this photo. OMG! Beautiful! I want to paint this one.
So how do I go about it?
Next to decide what pigments to use. I have my favorites of course. I don't own black water color paint; I use indigo and burnt umber to make and almost black, or mix in a little green for a green black.
I make my own grays. Ultramarine mixed with burnt umber makes one gray; indigo and burnt umber another. Of course you can make your gray bluer or grayer. I like a blue gray for clouds, this time with ultramarine and burnt umber.
Now to do a small color study.
Hmm. My drawing skills need work. Time to put it aside and maybe do a full sized painting later.
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Clouds at Tramp Harbor |
So how do I go about it?
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value study |
- First, a value study. That would be a thumbnail sketch in pencil showing where the darks and lights are. Where is the composition darkest? Where are the middle tones? Where is it lightest?
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I make my own grays. Ultramarine mixed with burnt umber makes one gray; indigo and burnt umber another. Of course you can make your gray bluer or grayer. I like a blue gray for clouds, this time with ultramarine and burnt umber.
Hmm. My drawing skills need work. Time to put it aside and maybe do a full sized painting later.
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